• Lutosławski’s ‘didlumdi, didlumdaj’

On my visit to the Karol Szymanowski Academy of Music in Katowice last week – and what a terrific institution it is, both in terms of staff and students and of its buildings, old and new – I took advantage of its library to check out a volume that furnished Witold Lutosławski with melodies for his Dance Preludes.  From transcriptions that I found in a folder of folk materials in his house in 2002, I knew that he had relied for the melodies of the first two preludes on the work of Łucjan Kamieński.  It was but a small step to guess that they came from Kamieński’s Pieśni Ludu Pomorskiego, I: Pieśni z Kaszub południowych (Pomeranian Folk Songs, I: Songs from Southern Kaszuby, 1936).

Sure enough, the melodies – one in the first prelude from Borsk, two connected tunes in the second prelude from Rybaki – were there, alongside the other eleven tunes that he’d selected but not used.  Lutosławski had transposed most of the melodies and sometimes modified them rhythmically.  I was hoping that the material for the other three preludes would be in the bulk of the volume that he had not apparently transcribed.  Frustratingly, they were not there, so the search for their sources goes on.

I was tickled by the text of the refrain of the melody for the first prelude, which was also the first tune in Kamieński’s volume.  Now I can no longer listen to Lutosławski’s version without mentally muttering the immortal words: ‘didlumdi, didlumdaj, didlum, didlumdaj!’.

Borsk 1

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