• ‘Warsaw Autumn’ Chronicle 2014

Screen Shot 2015-02-26 at 15.46.52The days are long gone when the ‘Warsaw Autumn’ Sound Chronicle contained only Polish repertoire.  The seven CDs of recordings from last year’s 57th festival have just been delivered by my postie and I can’t wait to delve into them, not least because of their mix of Polish and non-Polish pieces.  The boxed set is not available commercially but is made available to libraries, broadcasters and researchers on request to the Polish Music Information Centre.

Among the 2014 highlights are a blistering account of Serocki’s Pianophonie, intriguing sounds from Blecharz (although the work’s visual impact is missing), and a group of young composers from Kraków.  There are a few Polish absences from the festival programme, such as Hanna Kulenty’s Van… for piano four hands (2014)** and Andrzej Kwieciński’s Concerto. Re maggiore for harpsichord and orchestra (new version, 2013)**.  Here is the list of contents (Polish repertoire in bold).

Kazimierz Serocki: Pianophonie for piano, orchestra and electronic sound transformation (1978)  28’38”  with new computerised sound synthesis
• Jonathan Harvey: Body Mandala  14’33”
Marcin Stańczyk: Sighs for chamber orchestra (2008/2010-12)*  15’05”
• Simon Steen-Andersen: Ouvertures  17’06”

Jakub Sarwas:  Crépuscule du soir mystique for soprano and ensemble (2000-14)**  12’49”
Wojtek Blecharz: [one][year][later] for countertenor, flute, erhu, pipa, guzheng, yang qin and percussion (2014)**  23’30”
• Zygmunt Krauze: Rivière souterraine 2 for orchestra and electronics (2013)  19’09”
• Tansy Davies: Spiral House  22’49”

• Artur Zagajewski: brut for cello and ensemble (2014)  14’23”
• Philippe Leroux: Le cri de la pierre  8’44”
• Benjamin de la Fuente: Frôle  14’51”
• Ernesto Molinari & Theo Nabicht: 29,4 : 174,61  7’54”
• Leopold Hurt: Gatter  15’51”
• Raphaël Cendo: Action Painting  14’09”

• Wenchen Qin: Listen to the Valleys  11’31”
• Wenjing Guo: Late Spring  5’37”
• Guohui Ye: 964•Heterophony  9’49”
• Tato Taborda: Estratos  18’44”
• Canela Palacios: La permanencia  10’46”
• Cergio Prudencio: Cantos ofertorios  21’03”

• Mr Pebblestone in the World of Sounds**  22’05”  part of ‘Little Warsaw Autumn’: 12 minatures on earth, water, fire and air by twelve composers from the Kraków Academy of Music: Natalia Wojnakowska, Szymon Stanisław Strzelec, Renāte Stivriņa, Błażej Wincenty Kozłowski, Nadim Husni, Piotr Peszat, Piotr Roemer, Monika Szpyrka, Franciszek Araszkiewicz, Paulina Łuciuk, Martyna Kosecka and Kamil Kruk
• Cezary Duchnowski: Parallels for piano, MIDI keyboard, percussion and cello (2014)**  9’11”
• Wojciech Zimowit Zych: Roundflow/Throughflow/Outflow for eight spatially amplified cellos (2014)**  9’16”
• Szymon Stanisław Strzelec: The Hâsbeiya Fountain for spatially arranged ensemble (2012-13)  11’19”
Piotr Roemer: Re-Sublimations for strings and percussion (2012)  11’04”
Piotr Peszat: Interiør in Strandgarde for orchestra (2014)*  9’06”
Kamil Kruk: Parhelion for orchestra (2014)  3’52”

• Yuval Avital: REKA  72’23”

• Ewa Fabiańska-Jelińska: Allegro ma non troppo for vocal ensemble (2014)  3’51”
• Artur Żuchowski: Onion for a cappella choir (2014)  2’24”
• Kalina Świątnicka: Il rumore del silenzio for tape (2014)  7’20”
• Michał Dobrzyński: Elegy no.2. A Dialogue? for violin and live electronics (2007)  4’34”
• Tymoteusz Witczak: Signal/Noise for unspecified ensemble (graphic score, 2014)  4’05”
• Nikolet Burzyńska: Solarisss for tape (2014)  4’30”
• Marcin Piotr Łopacki: Folio no.2 for any solo string instrument (graphic score, 2006)  3’56”
• Andrzej Karałow: Shipyard Chant for bass clarinet and tape (2014)  3’53”
• Jarosław Drozd: X=Y for unspecified ensemble (graphic score, 2014)  6’30”

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