Tuesday, 19 November 2013
Twenty years ago today I was in Warsaw preparing to present my first ever live concert, and I could hardly have chosen a more publicised event. I was at Studio S1 at Polish Radio, broadcasting to BBC Radio 3 for the opening concert of Polska!, the most extensive celebration of any nation’s culture mounted by a single BBC channel. For 18 days, from 19 November to 6 December 1993, Radio 3 broadcast over 120 separate programmes involving producers, writers, performers and broadcasters not only from the musical world but many others too: poetry, fiction, drama, art, cabaret, history, cuisine, politics.
In late 1992, I was working as Head of Music at Radio 3. I was wondering how the station might celebrate the 60th birthdays, at the end of the following year, of Krzysztof Penderecki (23 November) and Henryk Mikołaj Górecki (6 December) as well as mark the 80th birthday of Witold Lutosławski at the start of the 1993. (Little did we know that Lutosławski had already been diagnosed with cancer as Polska! began and that he would die in February 1994.) I went to discuss the idea of a festival with the Controller of Radio 3, Nicholas Kenyon, and we quickly realised that we had the resources to organise something really special, involving not only all the BBC orchestras and the BBC Singers but the other departments which contributed to the rich variety of Radio 3’s programming. If I remember correctly, it was Nicholas Kenyon who came up with the title and he was unreservedly enthusiastic and encouraging. And so Polska! was born.
Over the next 18 days, I will be posting occasionally about Polska!, its live and recorded music repertoire, its non-musical programmes, the press coverage in the UK and in Poland, and including as many direct images of press reviews etc. as possible.
Although I had left the channel at the end of June 1993, I remained deeply involved in the planning and programming of Polska! and was slated to do some of the presentation, both in Poland and the UK. Hence my ‘continuity’ presence in Warsaw on 19 November. A flavour of the musical breadth of the festival may be gathered from that evening’s five-hour opener, ‘Poland Now’ (a second blockbuster came towards the end of the festival).
The opening evening’s main feature was the live broadcast from Polish Radio 2. The first half was devoted to chamber music (I was intent on including the then-neglected Zarębski Piano Quintet, which today has a deservedly higher profile), while the second consisted of contemporary vocal repertoire (including Paweł Szymański’s recent Miserere, a commission from Polish Radio).
In the interval, for ‘A Musician’s Lot’, I talked with Szymański and two other Polish composers – Rafał Augustyn and Zygmunt Krauze – as well as to the pianist Paweł Kowalski, to Monika Strugała, one of the organisers of the choral festival Wratislavia Cantans, to Elżbieta Szczepańska, Head of Promotion at the music publisher PWM, and to Andrzej Rakowski, a professor at the Chopin Academy of Music in Warsaw and the author of a recent report on music education in Poland.
In the 45′ profile of Polish political life – still a compelling issue four years after the ‘Round Table’ conference of 1989 had restored a level of democracy to the country – Piotr Kowalczuk was joined by Krzysztof Bobiński (Financial Times), the writer and lawyer Wiktor Osiatyński and Andrzej Wróblewski (Polityka), among others.
A second recent Polish Radio commission followed – Stanisław Krupowicz’s Fin-de-siècle, introduced by the composer and performed by WOSPR (Polish Radio Great SO), conducted by Takao Ukigaya. For ‘A Composer’s Lot’, I was joined again by Augustyn, Krauze and Szymański, by three other composers, Krupowicz, Hanna Kulenty and Marta Ptaszyńska, and by Grzegorz Michalski from Polish Radio 2 and Elżbieta Szczepańska from PWM.
We were then able to draw on that year’s ‘Warsaw Autumn’ festival when Lutosławski had conducted a complete programme of his own music with the Warsaw PO (it turned out to be his last appearance on the podium in Poland). He talked with me about the Fourth Symphony to introduce the broadcast. Palester’s Adagio for Strings (1954) was performed by Sinfonia Varsovia under Jan Krenz.
The evening had begun with a specially recorded performance by Piers Lane of Chopin’s Etudes op.10 (virtually all of Chopin’s music was played during Polska! and Lane bookended the festival on 6 December with the Etudes op.25). It ended with Szymanowski’s Myths and, like every subsequent evening of the festival, the last notes were left to one or more of Szymanowski’s mazurkas.
On Polish Music 