• Panufnik’s ‘Silesian Hammers’
Sunday, 16 November 2014 Leave a comment
Leafing through Trybuna Robotnicza (Workers’ Tribune) – as one does – I came across an entry yesterday that brought me up sharp. Trybuna Robotnicza was the daily newspaper in Silesia of Poland’s United Workers’ Party PZPR between 1945 and 1990. Its pages in the late 1940s and early 50s are filled with the customary eulogies to Stalin, Lenin, Bierut, to peace, culture for the masses, etc.. I’ve been looking for musical items, of which there are precious few. Most of these centre on workers’ ensembles, opera and ballet, and most of all on the Silesian Philharmonic.
Occasionally, national musical items appear, and I suspect that this little column published on 27 April 1950 was syndicated from Warsaw, and it therefore may well have appeared elsewhere in the Polish press at that time. It’s a list of composers with pieces they have proposed, are still writing or have completed as Labour Day approaches. Top of the list is Andrzej Panufnik, with a work whose title is not only completely new to me but I suspect will be new to everyone else.
Silesian Hammers is enough to make the mind boggle. What magnificent industrial heroism did Panufnik intend to evoke? It seems highly improbable that the score was ever begun, let alone completed, but one never knows. One possibility, which I have yet to explore fully, is that Silesian Hammers may have been an intermediate stage in the convoluted history of Panufnik’s Heroic Overture, which was first heard under this title at the end of 1950. Some of the other composers are familiar, although some of their pieces, like Silesian Hammers, may never have materialised.
New Musical Works for 1 May
Numerous Polish composers, wanting to mark the approaching Labour Day, have undertaken to write or complete by the First of May a range of new mass songs, cantatas, symphonic pieces etc..
Andrzej Panufnik – has proposed an orchestral piece called Silesian Hammers.
Grażyna Bacewicz undertook to complete a Suite of Polish Dances for symphony orchestra. She has fulfilled her compositional commitment ahead of schedule.
Stanisław Skrowaczewski has completed a cantata called A Word about Stalin [this almost certainly became the Cantata about Peace (1951)].
Alfred Gradstein has proposed two youth songs.
Stanisław Kazuro has undertaken to orchestrate his 128-page score of Polish Rhapsody.
Jerzy Sokorski is composing a solo song called Song about the Coal Basin.
Aleksander Wielhorski has proposed a youth song called Heroes of Labour.
Apolinary Szeluto has finished his May Song to words by Orłow.
Henryk Swolkień is writing for 1 May a song for solo, choir and orchestra to words by Tadeusz Kubiak.
Stanisław Prószyński has committed to composing a song for ZSCh [Zwiążek Samopomocy Chłopskiej – Union of Peasant Self-Help] called Shared Harvest.
Jan Krenz has proposed a cantata to a text by K. I. Gałczyński [Conversation of Two Cities (1950)].
Jerzy Młodziejowski is finishing a cantata called Hey, Hammers, To Work!.
In addition, similar commitments for 1 May have been made by many other composers.